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  • Writer's pictureNew Tech Review.

Philips SHP9600 Review

Updated: Dec 12, 2020

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Question: Are these wired and wireless capable? Via dongle or Bluetooth?

Answer: They are wired, I suppose there are singles you could get to give them bluetooth capability but not out of the box

The Philips SHP9600 is an open-back, powerful driver earphone, and it was presented a little more than a month prior as the replacement to the uncontrollably well known SHP9500; an earphone which from audiophile tuning in to gaming, gathered a ton of applause for the degree of execution it offered at the truly sensible cost of around $80(varied depending where you looked). Things being what they are, with a MSRP of $129.99–a sticker price that almost duplicates that of the SHP9500–does the SHP9600 convey any remarkable enhancements? What's more, would it be able to introduce similar degree of significant worth as its archetype?

Sources and Music Used in Listening Tests

The Amplifier/DACs utilized in this audit were the SPL Phonitor XE (with worked in DAC), Grace Design SDAC + Topping A90, and the JDS Labs Element II associated by means of USB to my personal computer. For the listening tests I utilized music from a wide assortment of kinds including Rock, Jazz, Classical, Acoustic, Hip-Hop, and latin. I played tracks from my own FLAC library just as from Qobuz real time feature played by means of Roon (select mode).

What's in the Box?

Inside the container you'll discover the SHP9600, some administrative work, and a genuinely long, single-sided, 3.5mm to 3.5mm 3m link with a ¼" connector that is it. It was obvious to me while unpacking the SHP9600 that the heft of what you pay here goes to the earphone, however hello, I believe that is something worth being thankful for; and you get all you truly require to get moving.

Force Requirements

Force prerequisites? None.

The SHP9600, similar to its archetype, is amazingly proficient. At an impedance of 32ohms and an affectability of level 101dB/mw, I wound up having the option to drive these with basically all that I controlled them with. Regardless of whether I tuned in to the SHP9600 straightforwardly connected to my PC's motherboard's ready sound or controlled them with a discrete earphone speaker like the JDS Labs Element II, I thought they sounded extraordinary and never felt like they exhibited any of the issues I would discover while underpowering an earphone; which makes them an incredible choice for those don't presently claim an earphone intensifier.

Assemble and Comfort

The SHP9600 sports another, slicker look than its archetype. The fairly crude Left/Right white content markers on the cup flame broils are gone and they have been supplanted with an all-dark plan that includes an exceptionally dainty, bronze ring around the barbecue's edge. Beside those tasteful changes, the construct and underlying model remain generally unaltered from that of the SHP9500.

As is not out of the ordinary from an earphone in this value section, the fabricate is made as a rule out of plastic, yet with a steel-strengthened headband. Generally, this plan feels truly steady and professional, with my lone grumbling being that the cups do have a slight clatter to them. Beside that, I truly question that these will give clients any issues during standard utilization.

Solace, I believe, was one of the SHP9500's best highlights, and fortunately the equivalent can be said for the SHP9600. The SHP9600 is incredibly light weight (330g), and low clasp power makes it perhaps the most effortless earphone to wear in day-long listening meetings. The earcups on the SHP9600 are very huge, and the cushions, albeit somewhat shallow, do permit a lot of space for your ears to fit in. The headband's solace tie has plentiful cushioning, and I find that it conveys the earphone's weight uniformly without making any sensitive areas or weight focuses. The one remark I will make on solace is that the activewear like lattice that the cushions are enveloped by may cause some slight uneasiness or tingling for certain clients; especially those with beard growth.


To sum things up, I would actually depict the SHP9600 as having a marginally hued, enthusiastic sound to it, with somewhat of a bass accentuation, just as some emphasis in the high pitch. Likewise, this presumably won't come as a shock, however the SHP9600 is suggestive of the SHP9500. The two earphones share fundamentally the same as apparent attributes, yet as we will examine instantly, the SHP9600 achieves some genuinely recognizable tuning changes–and, generally, I feel that they are to improve things.

For this sound segment, I will be imparting my experience to the SHP9600 while attracting correlations with the SHP9500, just as a portion of the contenders it faces in its value range, for example, the Beyerdynamic DT 990 Pro, the DROP X Sennheiser HD 58X.


For an open-back earphone in the sub $150 territory, I discover the bass to be awesome on the SHP9600. They have shockingly great bass augmentation, and while they actually observe a considerable amount of move off under 60hz, it's a more progressive decrease than that of the DT 990 Pro, HD 58X, and the SHP 9500; all which experience substantially more intense move off, and are all the more ailing in subbass profundity therefore. Furthermore, the SHP9600's bass has a very decent degree of detail. I don't believe it's very as expressive in the lows as the DT 990 Pro, which feels a considerable amount more controlled, yet I do imagine that it is a little more tight in this area of the Frequency reaction than the HD 58X.

Presently, the bass reaction's tuning I for one discover to be a little odd on the SHP9600, as to me it seems as if it has a genuinely enormous knock at around 130hz; and while that unquestionably gave the bass a pleasant level or presence, it did infrequently make the bass in specific tracks appear to be swollen, or one-note-sounding. In any case, that midbass support was restricted, so fortunately there was as yet a perfect change from the upper-bass into the lower mids, and the bass generally didn't feel excessively forceful corresponding to the remainder of the recurrence reaction.


The SHP9600's midrange is almost indistinguishable from that of the SHP9500, and the two of them help me a considerable amount to remember the midrange resonance on the HD 600. I would state that the mids on the SHP9600 have a reasonable, characteristic sound that lone truly felt like it strayed marginally at two unique spots. As far as I might be concerned, it felt like the mids could utilize somewhat more energy and chomp at around 2K, as it felt simply somewhat plunged here by 1dB-2dB. I additionally found the upper midrange, at around 3K, to be only a smidgen forward or shouty to me, albeit not exactly as much as on different earphones, similar to the HD 58X, HD 600, or HD 650. In any case, these truly are minor criticizes, and I imagine that generally Philips got a very decent resonance and tone for the SHP9600's midrange.

Midrange goal, notwithstanding, is the place where I find that the SHP9600 can be a touch of lacking. Contrasted with the DT 990 Pro, just as the HD 58X, the SHP9600 seems to be a reasonable piece grainer to me in the midrange, and I don't feel like there is quite a bit of an overhaul contrasted with the SHP9500–which is somewhat baffling given the $50 upcharge.


One of the issues I had with the first SHP9500 was that high pitch could sometimes be somewhat lopsided, with tops that could make high pitch tones introduce themselves as a grating and, at any rate for me, unpleasant. The SHP9600 appears to have similar high pitch tops as the SHP9600, yet they appear to have been significantly quelled. The fundamental height in the high pitch sounded to me like it was focused at 6K, which presented some recognizable glare, a touch of sibilance, and made cymbal crashes specifically come through with simply a little added coarseness and cruelty to them. As far as I might be concerned, there likewise appeared to be the littlest piece of additional presence at 8.5K, yet it was not really observable, and to say the least would just add the smallest edge to consonant sounds. I will repeat, however, that these pinnacles have been significantly decreased when contrasted with the SHP9500, and they don't make the SHP9600 sound as unnaturally lit up as its archetype; I would simply be careful on the off chance that you are high pitch touchy, as these could turn into a bit of exhausting in delayed listening meetings on the off chance that you don't utilize a type of EQ.

In conclusion, I needed to examine the SHP9600's high pitch goal, which is entirely useful at its $129 cost tag. Especially in the wake of utilizing EQ, I find that the high pitch on the SHP9600 is very well-finished, and it conveys a spotless picture of the apparent subtleties in the highs. In such manner it sees a really good redesign over the SHP9500, and I believe it's really about comparable to the HD 58X and DT 990 Pro.

Soundstage, Imaging, and Layering

The soundstage on the SHP9600 doesn't sound to me like it's fundamentally more extensive than that of earphones like the HD 58X or HD 600, yet I discovered it to feel somewhat more roomy. I feel that this is an aftereffect of the two its imaging and layering, which are two classes where I think the SHP9600 performs truly well. For imaging, I find that the SHP9600 is truly skilled with regards to passing on a feeling of situating and directionality.

They may not be very as pinpoint precise as the DT 990 Pro, however I never battled knowing the way from which sounds started, or finding pivotal sound prompts like strides when messing around like Call of Duty: Modern Warfare (2019). At that point, for instrument detachment the SHP9600 truly intrigued me, as all the various components that created the music I tuned in to were astoundingly all around characterized and recognized inside the soundscape. I truly didn't anticipate the SHP9600 to accomplish quite a degree of picture qualification, and the HiFiMan Sundara is the solitary earphone I've tuned in to under $500 that improves.


Like the SHP9500 before it, I find that the SHP9600 has very great elements for an earphone under $200. Low notes have a charming feeling of punch hammer that hits with power and conveys a delightful actual effect in low notes. Top-end tones convey a pleasantly weighted snap behind them, which passes on a feeling of strain behind string instruments just as percussive strikes. I truly find that the SHP9600 has incredible elements, and it makes for a drawing in listening experience.


So there are a few different conclusions for me after listening to the SHP 9600.The first thing is that the SHP9600 by and large feels more like a refinement over the SHP9500, rather than a complementary headphone or a generational upgrade. That being said, I feel like Philips really nailed it with this “refinement” of the SHP9500, as it mostly addresses the issues I had with the original’s tonality whilst also improving comfort.

Whether or not the SHP9600 is worth the additional $50 over the SHP9500 is really not for me to say, as we all value things differently. Personally, though, I think that if you already own the SHP9500, there isn’t really any major incentive for which to upgrade to the SHP9600, as they really are very similar–especially if you use EQ. On the other hand, if you don’t already own a SHP9500 and are looking to get a taste of Philips’ headphone line-up or are looking for a an entry-level open-back headphone, then I think that the SHP9600 is a very solid option, as it has minimal power requirements, is extremely comfortable, and has an enjoyable tonality if you are not particularly treble sensitive.

PS. One last thing I would like to note is that, although I think that the DT 990 Pro is still the stronger option for games (especially FPS ones), the SHP9600 with a ModMic does make make for a good contender, as I feel like its imaging is able to keep up with the requirements for competitive online games and its significantly higher efficiency makes it compatible amongst a wider array of set-ups and systems.

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